Orphans

On the eve of our wedding, I discovered a spreadsheet on Ji Qing’s computer.

It was filled with information about every girl he had ever dated.

In my column, it read: [Law-abiding and dutiful; suitable for marriage.]

Meanwhile, the entry for his first love read: [You are a bird of the air; you should fly proudly toward the horizon.]

He once said he would never marry her.

Because being his wife meant laboring over three meals a day, raising children, and serving one’s in-laws.

He couldn’t bear to subject her to that.

I didn’t argue, and I didn’t make a scene.

The next day, I went back to the television station.

Ji Qing didn’t know that I had a form of my own.

It was an application for a transfer to Africa to serve as a war correspondent.

The person I truly love is still there.

I’m going to find him and bring him back.

In the Fifth Year of Taiyuan, at the Start of Summer, a princess died in the Beiliang Royal Palace.

And a toad.

Anping was that unfortunate princess.

And I was that unfortunate toad.

Fortunately, since her death, I have become her.

Zhou Xingzhi was disfigured while saving the woman he truly loved. In the hospital, I cried my heart out, my sobs echoing through the halls.

I kept pestering the doctor, asking over and over if his face could be fixed.

Everyone thought I was hopelessly in love with him.

Only Zhou Xingzhi’s younger brother handed me a tissue, a smirk playing on his lips. “Sister-in-law, my brother’s face is beyond saving.” “You might as well choose me instead. After all, my face looks much more like Wei Qiao’s now than my brother’s does.”

When I was five, my father brought home a handsome deaf boy and made him my child husband.

I prided myself on being a progressive woman; since childhood, I always told people he was my brother. I never expected that, more than ten years later, one drunken night,

I slept with him – and forgot about it.

There is a palace rule in the Great Sheng Dynasty: regardless of rank or status, whoever gives birth to a child must raise that child.

Mother was the most insignificant Cairen in the harem.

Ever since I was born, I lived with her in the neglected Chengze Hall.

When I was eight, the Imperial Physician diagnosed Mother with a severe illness and said she did not have long to live.

That day, Mother jumped into the Taiye Pond and saved the drowning Third Prince.

She saved the Third Prince’s life, but lost her own in the waters of Taiye Pond.

Rumors spread throughout the palace. Everyone said, “The Third Prince stepped on Cui Cairen’s head, pushing her underwater so he could climb ashore.”

They fanned the flames, but I knew in my heart that Mother did it on purpose.

She used her own life to ensure that, after her death, I could be taken in by the Third Prince’s birth mother, Consort Qi.

Mother was so foolish.

She thought she had paved a path for me.

She forgot.

A child without a mother leads a bitter life.

In my past life, my sister was adopted by a wealthy family, while I was taken in by a street cleaner.

As it turned out, that wealthy family was plagued by vicious infighting. Her parents were cold, her brother was a bully, and she was eventually kicked out with nothing to her name.

My home, however, was full of harmony. To top it off, a wealthy young heir fell in love with me-the poor, innocent Little White Flower. My life was like something straight out of a romance drama.

Consumed by resentment, my sister killed me, and we both returned to the day we were adopted.

This time, she rushed forward and threw herself into the cleaner’s arms before I could move.

“Sister, this time, it’s my turn to be the leading lady of the drama.”

But what she didn’t know is that a leading lady is never defined by her background.

I’ve read so many novels about the “crematorium” trope-where the husband has to crawl back and beg for forgiveness-but I never expected to find myself starring in one.

Except there’s no chasing, only the crematorium.

Because I’m actually dead.

I’ve become a ghost, watching the man who betrayed me. Seven days after my death, he finally seems crushed by a delayed sense of grief. In the home I can never return to, he howls in agony, acting as if life is no longer worth living.

You want to know how I feel?

I just stand there blankly, carefully admiring every inch of pain etched onto his face.

I listen intently to his desperate wails, triggered by my departure.

Beyond the desolation and heartache in my soul, a massive wave of schadenfreude suddenly wells up within me.

A joyful, blissful sense of schadenfreude.

It’s a sensation so sharp it borders on thrill. I cover my mouth and begin to laugh.

Everyone in the Tianxuan Sect says that a disciple with a useless spiritual root like me is only allowed to remain under the Sword Venerable because I was born with a frame meant to endure tribulations for others. It wasn’t until the day of Xiao Zhixiao’s ascension, when I personally withstood the Ninefold Heavenly Tribulation for him, that I realized what the entire Sect was so desperate for was never my life-it was the key within my body that could split open the Ascension Gate.

I met someone named Chen Ye.

Everyone says he is loyal, kind, and a rare good person in this world.

But I think he is vulgar, hypocritical, and the most despicable and shameless scoundrel in the world.

Yet I kind of like him.

I transmigrated into a novel, but there was no such character as me in the story.

For seventeen years, I lived as a wealthy and beautiful heiress in the book.

Just when I was about to forget that I was someone who had transmigrated into a novel, the Story Management Bureau finally assigned me a task.