Mystery

When I first started driving freight trucks, I once asked Master out of curiosity: Why did truckers need to perform Chongsha, while bus drivers didn’t?

Master said it was because trucks carried cargo, not people, so what they feared most was running into trouble on the road.

Buses, on the other hand, were always picking people up and dropping them off, so their greatest taboo was disaster striking onboard.

That was why buses didn’t pay much attention to warding off the road itself.

What they cared about was ballasting the vehicle.

Most bus drivers I’d met used stones for it.

Some used stone statues.

Whenever the passenger count hit four or seven, the driver would bring out the Vehicle-Ballasting Stone, treating it as one extra passenger onboard to keep misfortune away.

But recently, I took on a strange job.

A bus driver came to me and asked me to ballast his bus as a living person.

He said that before me, three Vehicle-Ballasting Stones had already shattered on his bus.

At midnight, I woke up in a strange place.

Someone knocked on my truck window and said they were holding a celebration tonight, and asked me to join them.

Still groggy, I got out of the truck.

The village before me was decked out in lanterns and colored streamers.

“Is it a wedding?” I asked the villager. The villager didn’t answer.

Instead, a hazy thought came to me: I seemed to have come here to escort the bride.

I turned back to look at the heavy truck I’d driven here.

It was empty. But why did I remember it being packed full of things when I arrived?

What had I been carrying? For a moment, I couldn’t recall.

When I turned back again, the villager who had come to call me was gone.

I went out northwest to haul coal in a big rig.

That morning, we were lined up waiting to load our trucks.

All of a sudden, we heard someone shouting.

“Oh no! There’s someone buried under the coal pile!”

A bunch of us ran over to help.

But even after we dug all the way to the bottom of that mountain of coal, we didn’t find so much as a shadow of a person.

The worker who had shouted was starting to panic.

Stammering, he tried to explain, “That’s not right. I saw it clear as day.

There was a pair of wrinkled human hands sticking out from under the coal pile!”

“If you pass the scene of a car accident, don’t stare.”

“If someone tries to hitch a ride at midnight, don’t stop unless you have to.”

“And don’t think driving a big rig makes you so intimidating that trouble won’t come looking for you.”

Those were the warnings my Master gave me.

For more than ten years, I kept them close to heart.

But tonight, I made an exception.

At midnight, I came across a family of four trying to flag me down.

The moment the husband saw my headlights, he dropped to his knees at the roadside and kept kowtowing.

Their black sedan was sitting crookedly off to the side, as if it had broken down.

All four of them looked badly shaken. I let them climb into my truck.

Pale with fear, the husband told me that a strange red sports car had been chasing them along the mountain road just moments ago.

I told him not to worry. I was driving a heavy truck; no car would dare mess with me.

Just then, the radio began reporting a traffic accident. On the very stretch of mountain road we were driving along, a red sports car and a black sedan had been involved in a serious crash.

The driver of the red sports car had died at the scene.

In my first few years driving rigs, my master used to tell me that the main road could hold back evil.

So unless you absolutely had to, you should never leave the proper road, and you should never pay any attention to the “things” that stood outside the guardrails.

Lately, though, whenever I’m out on the road, I keep seeing my childhood friend-the one who’s already dead.

At first, he only stood beyond the guardrail, one leg raised stiffly.

But little by little, he managed to get that leg up onto the rail. Now half his body is leaning out over the highway.

At a construction site, five coffins were dug up-four with something inside, one empty. Strange things kept happening at the site.

In less than three days, two workers had already been sent to the hospital.

Someone had asked me to go there and haul the coffins away.

But the expert the site had hired kept blocking me at every turn, refusing to let me move them.

With a dark, sinister look, he told me: “These five coffins can’t be moved by anyone within seven days. Whoever moves them will be the one buried inside.”

My name is Zhou Jiu, and I’m a professional haunted-house test sleeper.

Tonight, the company assigned me a new job: the old house where my entire family burned to death fifteen years ago.

But that house had long since been reduced to a barren wasteland.

I returned with a black-and-white photograph of the fire scene.

In the shadows of that photo, a person who looked exactly like me was already waiting at the door.

[Light Horror + Infidelity + Plot Twists] A beautiful Southern Girl, a knock on the door in the middle of the night, a silent delivery driver, someone crouching under the bed… Qin Song’s life descended into an inescapable hell because of an extramarital affair.

I was about to hide my boyfriend’s body in the refrigerator.

Then Siri on his phone suddenly spoke.

“The refrigerator is not the optimal location for concealing a corpse.”

I stared at the phone on the floor in terror, a chill running through my entire body.

“A better location for corpse concealment has been detected. Would you like to proceed?”

Siri continued. As if possessed, I asked, “Where?” “The basement. The entrance is inside the wardrobe in the master bedroom.”

Half-doubting it, I followed Siri’s instructions and actually found the basement.

It really was the perfect place to hide a body. Because inside, I found several more corpses…

I’m the most notorious actress in the entire entertainment industry.

My agency booked me on a wilderness survival reality show.

They told me I had to kick up as much drama as possible to set off the “perfect” new girl they’d just signed-the so-called National Daughter.

But as soon as we got deep into the mountains, we lost contact with the production crew.

The variety show turned into actual wilderness survival.

Out there, I built a log cabin, hunted pheasants, caught fish, and lived a carefree life.

Meanwhile, those flawless idols were swearing like sailors just to stay alive.

They fought over supplies, and their carefully crafted images shattered completely.

Only later did we find out there were hidden cameras everywhere-and the whole thing had been streaming live every single day…